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This most recent controversy began with a November 30 mention on KK's Twitter , which criticized, from the child-porn viewpoint, an illustration from a popular anime show Sound! KK approached AWN previously about working together to translate, edit and publish pieces regarding what the penetrating anime critic considers an indefensible position taken by some anime and manga publishers in Japan. This is the first of such pieces. Seeing is believing. Let's take a look at the image on the left: the cover illustration of the young adult novel "Sound!

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This most recent controversy began with a November 30 mention on KK's Twitter , which criticized, from the child-porn viewpoint, an illustration from a popular anime show Sound! KK approached AWN previously about working together to translate, edit and publish pieces regarding what the penetrating anime critic considers an indefensible position taken by some anime and manga publishers in Japan. This is the first of such pieces. Seeing is believing.

Let's take a look at the image on the left: the cover illustration of the young adult novel "Sound! The novel is now available in Japan with the new cover illustration taken from the anime adaption.

Let's take a closer look at the image on the right. We see a Japanese high school girl, barefoot, long slender bare legs and a seductive pose in a classroom! The brass horn euphonium appears cold and metallic against her warm-colored flesh, as if a phallic object is just being inserted between her young thighs.

I am not implying that the anime Sound! Euphonium is child-porn. Quite the contrary, I appreciate it as a heart-warming story of teenage girls' love for music as well as their high ambition aimed at winning the national competition. It makes perfect sense that many anime fans were excited by the news of the theatrically-refined version coming next spring, which is to be followed by the second TV series. I, however, must say that I do not have any love for young adult anime.

To me, it is no more than an interesting subject for a study when we look into the fact that Japanese manga Japanese comics and anime have been continually criticized as a weird mixture of sex and violence.

In one particular example, I saw many bits and pieces of seductive elements in Sound! Euphonium illustrations produced by Kyoto Animation Studios also called Kyo-Ani among anime fans , designed deliberately so that they would inspire subtle sexual fantasies in viewers. Euphonium anime right. The foreground figure in the illustration on the right has a baby-face with disproportionately seductive legs under the windswept short skirt.

She is holding a large instrument in her hands as if to show the contrast between her flesh and the symbolic metallic "penis. The girl on the left is put behind the foreground girl presumably because the contrabass cannot make an impression of the contrast between the metal and the flesh. In other illustrations from the anime, artists have subtly inserted girls holding seductive poses, also showing short skirts flapping in the wind while keeping their undergarments unexposed, because they know veiling something invokes greater sexual thoughts than overtly exposing it.

Analysis of other illustrations will be saved for another day since there is not sufficient space to highlight a very interesting mechanism behind them. That will produce for you an enormous pile of very stimulating imagery, further illustrating just how much of this content exists.

Japanese anime and manga always make plausible excuses when they depict pretty, baby-faced girls in sensual poses. Note: Kyoto Animation Studios used to adapt some of the all-age videogames which were previously designed as adults-only games featuring baby-faced sexy female characters. The key point here is that although Sound! As mentioned , the production staff has devoted great creative efforts to make the show seem like the most purely innocent, touching, adolescent anime story ever produced.

This effort helps the show's admirers act as "evangelists" to silence a pariah like myself who attempts to unveil the subconscious mechanism of the supposedly innocent-looking show. To my surprise, many Japanese readers got angry at my theory on Sound!

Euphonium when I tweeted it one month ago. They apparently perceived my remark as an insult to the pride of brass band players! I am not saying brass band players are all perverts. What I meant was that any innocent instrument, like a castanet, could be used in the context of sexual fantasy when designed by anime creators who are experienced with such subliminal methods of visualization. In fact, Kyo-Ani showed its talents and skill in the context of subliminal pornography a few years ago by bringing up images of high school girls with electric guitars with their illustrations for advertising the TV show, K-On!

The issue is the subtle manipulation through the suggestive illustrations. No one can tell the difference from a distance — to see it you have to look closely. Just for your information, those visual techniques of subliminal sexual suggestion already appeared in the illustrations of American pulp sci-fi magazines in the early 20th century, and they have been used in a huge amount of public advertising elsewhere in the Western world. This technique, however, has become extremely sophisticated in the land of the rising sun, especially in Otaku culture including anime, manga and video games.

Subliminal pornographic images cloaked behind an innocent exterior are not exclusive to Japan. However, it is unquestionably the peculiar way of Japanese pop-culture to put a pile of sexual innuendo into content for children. It's a touching young adult story about baby-faced high school girls fighting to win the battle tank competition in a city that really exists in Japan, as if they're challenging each other in the national sports championship.

What an exciting youth story! Japanese audiences enjoy such fantastic storylines that would hardly ever appear in Hollywood or be considered appropriate for kids in the U. Otaku culture has positioned itself as an innocent-looking, borderline grand orgy straddling the boundary between kids and adults, loaded with adult immaturity by overlooking the age double standard as a kind of joke.

Presumably, the baby-faced, underage sometimes at age or overage seductive female characters from anime and manga were represented as fascinating examples of Otaku fantasy universe. They would be embedded with sexually suggestive cues even though they may not have fully matured body.

These characters became female monstrosities, beasts with child-like faces and seductively designed bodies from the neck down, which could even scare off Chimera and Centaur with such exaggeration. That is why Westerners unfamiliar with the nature of Otaku culture tend to perceive the products featuring those female characters as child-porn.

How come Astroboy destroys his enemy with his superpower every time even if the enemy is not a human being? I was surprised to find that they do not permit their kids to watch TV programs for non-kids. The kids turn off the TV as soon as they enjoyed kids shows It will tell you how different the ethical border is and where lines are drawn between adults and children and between East Japan and West.

Just for your information, I translated the book into Japanese and published it in Japan in Last October, Ms. Maud de Boer-Buquicchio, a Dutch jurist and UN Special Rapporteur on child-trafficking, child prostitution and child pornography, held a press conference in Tokyo.

She conceded that it was merely based on some wrong sources and made sure that the figure would not be included into the report, which is to be published next March. Yes, Japan needs to face the subject seriously. In the early s, when relations between Japan and the U. Major American news media, including CNN and New York Times, reported on the group as a symbol of justice on account of their frustration over Japan, the grand empire of industrial capitalism at that time.

However, I think they have no choice now but to analyze Otaku sentiment by asking themselves this: how far can their simple explanations stretch in the face of non-Japanese critics who do not share the same sentiment about Otaku justification for the sexualized manga and anime content?

Their explanations are as embarrassing and painstaking an effort as trying to explain in public what kind of sexual fantasies they enjoyed while masturbating. In my humble opinion, at the core of Otaku culture, there is something dark and disturbing which they cannot defend, no matter how much effort they put into refuting criticism from Westerners and non-otaku Japanese.

Last month, I say again, I tweeted about Sound! Euphonium from a viewpoint of pornography. View the discussion thread.

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